Saturday, October 31, 2009

Starbucks, Cinebarre and Me

So I'm at one of my favorite Starbucks to grab a quick triple short soy latte and rev up for our Arts School Grand Opening Halloween Party my wife is having for our new location, when a barista dressed up as a bumble bee says, "Hey I saw you at Cinebarre the other night." "What?" I say," I haven't been to Cinebarre yet."
"No," she explains, "you were on the big screen. One of the opening short films- it was you!"
Then I remember I had sent a few of my music videos and feature Hot Rod Girls Save The World to the Cinebarre main offices a few months ago. So they decided to play some of my work- very cool. That kinda made my night.

Friday, October 30, 2009

Rat Rod Rockers! Filming Oct. 30th

We went over to Trixie Lane and Lance Wagners awesome pad to shoot a few quick scenes for Rat Rod Rockers! Trixie and Lance own Old Scool Pin-Ups an award winning studio that specializes in vintage and modern style pin-up photography. Trixie is playing Hazel Tangiers in RRR!

Thursday, October 29, 2009

Re-Casting Danika For Rat Rod Rockers!

Had a reading with Red Rocket (aka Tara Huhges) last night at the studio. She is the new Danka Molotov!

Sunday, October 25, 2009

Rat Rod Rockers! Filming Oct. 25th

Here are some stills from todays filming of Rat Rod Rockers! In this scene the Mad Kats Gang (excuse me Car Club) are trying to figure out a way to trick the Milldew family into leaving their house, so they can look for the money supposedly left there by dead moonshiner and former house owner- Old Man Kanker.

Saturday, October 24, 2009

What Is "Cool"

Modern Hip Hop is not cool. Neither is Nu Metal, Emo, Gothic nor Country Western. If cool were a color is would possibly be deep blue or savage green, maybe very very dark crimson. Cool is an elusive term when applied to culture. It used to mean hip or cutting edge. Now the trends themselves move too fast and generate too much money to be cool. To aggressive. In much of modern music and culture success is considered in monetary terms, not artistic terms. Art and poetry are cool. That is if created for the sake of the creation and not the mighty dollar. Money is NOT COOL. Surviving in style with little or no money is very very cool. When music swings it is cool- like Jazz or Be-Bop, some New Wave or Art Rock. New York was cool in the 50's and again in the 70's. LA was cool in the 40s and then the 60s. Hippies and Punks were not cool. Beats were very cool. Unicorns and Elves are NOT COOL. Ska and Reggae are fairly cool because the Bass is very cool. Lou reed was cool. Louie Prima was way fuckin' cool. Miles Davis, Gene Kruppa, John Coultrane, Herbie Hancock defined cool. Jack Kerouac. Henry Mancini. Cool is a timelessness, impenetrable by outside influences, dependent only on the creation of more cool. TV was cool until cable got involved. The underground is always cool. Religious fanaticism in any way shape or form is NOT COOL. Blues is pre-cool. Funk is post-cool. There is overlap. Accepting with humble grace and a down turned face is always cool. Like a Buddhist monk bowing to all. Cool is slightly evasive- making you think and grasp at the meanings, turning a small circle on your tongue as it goes down hard. Cool is that moment the light goes on in your head- the moment of death and short breath in many lifetimes.

Monday, October 19, 2009

Radio Interview On ILN Radio

Did a quick radio interview this morning on ILN Radio with Lucy Diamond about film making, music making with a little bit of paranormal hot rod experiences thrown in for good measure. Listening to the playback- man do I talk fast sometimes! Note to self- slow down with the verbiage. I also rambled around topic more than once. Am I self critical. Most times but I had fun.

Rat Rod Rockers! Filming Oct. 18th

Here are some stills from yesterdays filming of Rat Rod Rockers! In this scene Ruby Milldue (Hot Rod Heidi) and her daughter Danielle (Teri Aslett) explain to officer Treacher (Lance Lambert) and Officer Dumdown (Steve Puvogel) about a ruckus rat rod gang that was snooping around their house.

Sunday, October 11, 2009

Rat Rod Rockers! Filming Oct. 11th

Time lapse of Dutch (Tony Ririe) getting shot. I use an air compressor squib device built from plans off the internet. Basically a long tube with blood stuff in it, taped to the shootee's chest. Pressure is made from a garden sprayer with the wand removed. I have used this inexpensive unit many times, always with decent results.

Rat Rod Rockers! Filming Oct. 10th

Rat Rod Rockers! Cast And Crew At Gun Point!

Man what a night! Where to start. We began filming for Rat Rod Rockers! at 5 PM last night. We did a few short running out of doors scenes and running around a parking lot scene- in a building we have complete access too. This sequence is for the ending of Rat Rod Rockers! in which our heroine Danielle (Teri Aslett) and her younger sister (Ivy Sawden) are being chased by a Mob Boss (Kerry Murphy) and two thugs (Cameron Black & Tony Ririe).

We finish shooting the first location and move to a warehouse dock area across the street and right behind a big clothing store. This area used to have a fair amount of drug and vagrant activity, but has recently been cleaned up by constant pressure from the Edmonds Washington Police Department. We had the permission of the warehouse owners to film and I made sure I called the Edmonds PD a week before the shoot, to warn them that we would be filming in the area and be yelling and using blank firing hand guns. The reason I had the foresight to call the EPD was that several weeks prior, during a shoot just a few blocks from the warehouse location, in an abandon house we had rented for the weekend, an area neighbor had called the EPD for what they thought was "domestic violence." Five guys kidnapping a mother and terrorizing two girls in an abandon house. Now that's domestic violence! Anyway I knew if we were shooting guns in the area someone would call it in. I talked directly with the Assistant Chief and a memo was sent out to dispatch and the various Police Departments.

So fast forward to last night. We are moving scene by scene down the dock. It is getting colder by the minute, so we are trying to hurry. Actors dressed in summer clothing (most filming has been during late summer months) jump into heater warmed cars to take off the chill and drink coffee. Then comes the time to start firing the blank pistols at each other. In the scene, our heroine shoots at the bad guys and then runs down the dock and around the corner, out of camera frame into an alleyway. One of the gang members is hit in the arm by a bullet and then, picking up his gun, chases her down the dock and out of frame. We run this several times to get the perfect take. My camera is about forty or fifty feet from where they turn the corner and I have to yell "cut!" very loudly for them to hear me and then reset the scene. We do a perfect take and I yell "Cut! Come on back!" They don't come back. I yell again. They still don't come back. I look at the other actors and crew around me. "Whats up" I think, "what are they talking or taking a break." Then I hear a strange voice yelling- but I can't make it out. My first thought is that a vagrant is mad and yelling because we interrupted his alleyway slumber. I hear Cameron (gang guy who chases heroine) yelling far away, "OK OK- I'm putting the gun down!" My wife peeks around the corner. We all hear a voice yelling- "Get back away from the alley or you will be shot!" My wife comes running over and then I follow her back to the edge of the alley corner. The dock drops off into the alley. I see our heroine (Teri) laying face down with a spot light on her, her blank hand gun cast slightly to the side and away from her body. I see Police Car lights down the alley and hear a big dog excitedly barking. I start to walk around the corner and my wife grabs my arm, "Don't- he said he will shoot anyone who comes into the alley." Now I'm getting worried. I have visions of my actors getting mistakenly killed by Edmond's finest. I frantically call 911. I tell the dispatcher what's going on. She says that she does have a note saying Go-Kustom Films will be filming at the warehouse tonight. I ask her to call the officer directly and that he has my actors face down on the ground. She says she will try. Just then three more police cars pull in. Police swarm us- shot guns and pistols drawn. I start yelling (to the cop in the alleyway), "We are making a movie- it's a movie God Danmit!" I still have dispatch on my cell- as a very adrenaline pumped officer begins yelling at me to put my phone down and put my hands on my head. I and the rest of the crew are stunned and not really taking all this as seriously as the police are. In hindsight I think it was that we are not doing anything wrong- we had no sense of urgency. The man with the shotgun instantly changes my perspective. Funny how a loaded shotgun pointed in your direction will do that. I and the rest of the crew put our hands in the air. Now I have been arrested many times in my youth (stupid misdemeanor stuff) and as a belligerent Punk, had many guns, big and small, stuck in my face by various police departments. I can assure you that it is never something you should take lightly or that you ever get used to. Suddenly another officer runs from his car to the "alleyway of action" and as he jumps up onto the dock drops his gun (in all fairness the officer was running full speed and leapt onto a waist high loading dock not an easy maneuver). A few crew members giggle. He quickly snatches it up and takes position on the dock. The officer with the shotgun is not amused and tells everyone to- "Shut up!" We wait and wait. More yelling and a dog barking down the alleyway. Echos off the cold concrete walls. Time slows to a mere crawl. Then quiet darkness. The crew around me starts small talk with their arms in the air. Finally an officer with stripes on his arm comes around the alleyway corner. "Sebasstian! Is Sebasstian here!" I yell my location with my hands still on my head. He walks over and assures the officer with the shotgun and then tells him to stand down. The Senior Officer turn to me, "You OK." I say yes. I ask if I can go talk to my actors in the alley. He says in a minute, the K9 officer is still talking with them. I ask the Senior Officer, "What happened? I talked with the Chiefs Assistant personally." He explained that most officers had seen the memo about Go-Kustom Films making a movie at this particular warehouse location- however the K9 Unit has a different shift starting time and did not see the memo. He continued by saying that the K9 Unit had heard shots fired and then saw our actor with a bloodied arm. Guns and injury equal various serious shit in a cops mind. Not only that, but that same K9 Unit had been fired upon several months before by a man wearing body armor. The Senior Officer apologized several times and gave me a Police Report Number on his business card. He also thanked us for our patience in the matter and not freaking out and yelling at the officers. He said some people (especially drunk BBQers)do that and make things much worse. The officers started packing up and the cast and crew relaxed. A few were shaken up. Needless to say we lost over an hour of film time and it was getting colder by the minute. Also lit was very hard to get our focus back after an event like this. We finally did and wrapped filming by 11PM. We were all cold and tired but got all the shots we needed and no one got killed. I guess that made it a good night.

I want to add a special thanks too all the cast and crew last night and especially to Ron Foreman, who had to drive his open top, no heater hot rod all the way back home, some forty minutes away in the frigid fall weather.

Friday, October 9, 2009

Rat Rod Rockers! Filming Oct. 9th

Went down to Puyallup, WA to do some pick-up shots of Harold Milldue (Aeon Black) driving around manically in SR Puvogel's Pink and White 1956 DeStoto through the Puyallup countryside. Such an awesome ride- even for a four door!

King DoubleBass Interview in Ol' Skool Rodz

The interview I did with the guys and gals at King DoubleBass is in the current issue of Ol'Skool Rodz. The visuals for the piece were by excellent Photographer Jason Holmes. The magazine cover model is none other than Nikki Dodge- who has been a featured Go-Girl on the Go-Kustom Website. Ain't she a cutie!

Wednesday, October 7, 2009

Photoshop and FCP Madness

Trying to get this cop car pic that SR Puvogel sent me to place in the movie Rat Rod Rockers! Trouble is- the still keeps flickering in Final Cut Pro. The fix seems to be using the Gaussian Blur Tool in Photoshop to blur the image slightly. I spent several hours last night trying to get the "flicker" to disappear. FCP's de-interlace and flicker filters didn't seem to work that well. Two versions this morning had reduced flickering- I'll fine tune it today. Still need o reduce the cars shadow opacity as well.